The End of European Co-production?: Independent Producers and Global Platforms

Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research › peer-review

Standard

The End of European Co-production?: Independent Producers and Global Platforms. / Mitric, Petar.

European Film in the Streaming Era: Policy, Platforms and Production . ed. / Christopher Meir; Roderik Smits. Palgrave Macmillan, 2024. p. 63-81.

Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research › peer-review

Harvard

Mitric, P 2024, The End of European Co-production?: Independent Producers and Global Platforms. in C Meir & R Smits (eds), European Film in the Streaming Era: Policy, Platforms and Production . Palgrave Macmillan, pp. 63-81.

APA

Mitric, P. (2024). The End of European Co-production?: Independent Producers and Global Platforms. In C. Meir, & R. Smits (Eds.), European Film in the Streaming Era: Policy, Platforms and Production (pp. 63-81). Palgrave Macmillan.

Vancouver

Mitric P. The End of European Co-production?: Independent Producers and Global Platforms. In Meir C, Smits R, editors, European Film in the Streaming Era: Policy, Platforms and Production . Palgrave Macmillan. 2024. p. 63-81

Author

Mitric, Petar. / The End of European Co-production?: Independent Producers and Global Platforms. European Film in the Streaming Era: Policy, Platforms and Production . editor / Christopher Meir ; Roderik Smits. Palgrave Macmillan, 2024. pp. 63-81

Bibtex

@inbook{082d2c0844724d4ba1ca9a2286b289fb,
title = "The End of European Co-production?: Independent Producers and Global Platforms",
abstract = "Streaming platforms have undeniably become integral parts of the European co-production field. The rise of their collaborations with European producers as well as the policy regulations targeting these collaborations testifies to this fact. The available statistics show that Netflix produced more than 100 original films and series in 15 European countries in 2021, while in the same year the platforms invested €245 million in French local productions alone, three times more than in 2020 (Gubbins 2022, 3). According to this tendency, European independent producers can now diversify their sources of financing and business models that for several decades had been mainly monopolised by the gatekeepers of the European public film subsidies. At the same time, the public funds, created as a bastion for protecting European cinema against Hollywood domination, have been confronted with new powerful competitors from the US.",
author = "Petar Mitric",
year = "2024",
language = "English",
isbn = "978-3-031-42181-5",
pages = "63--81",
editor = "Meir, {Christopher } and Smits, {Roderik }",
booktitle = "European Film in the Streaming Era",
publisher = "Palgrave Macmillan",
address = "United Kingdom",

}

RIS

TY - CHAP

T1 - The End of European Co-production?: Independent Producers and Global Platforms

AU - Mitric, Petar

PY - 2024

Y1 - 2024

N2 - Streaming platforms have undeniably become integral parts of the European co-production field. The rise of their collaborations with European producers as well as the policy regulations targeting these collaborations testifies to this fact. The available statistics show that Netflix produced more than 100 original films and series in 15 European countries in 2021, while in the same year the platforms invested €245 million in French local productions alone, three times more than in 2020 (Gubbins 2022, 3). According to this tendency, European independent producers can now diversify their sources of financing and business models that for several decades had been mainly monopolised by the gatekeepers of the European public film subsidies. At the same time, the public funds, created as a bastion for protecting European cinema against Hollywood domination, have been confronted with new powerful competitors from the US.

AB - Streaming platforms have undeniably become integral parts of the European co-production field. The rise of their collaborations with European producers as well as the policy regulations targeting these collaborations testifies to this fact. The available statistics show that Netflix produced more than 100 original films and series in 15 European countries in 2021, while in the same year the platforms invested €245 million in French local productions alone, three times more than in 2020 (Gubbins 2022, 3). According to this tendency, European independent producers can now diversify their sources of financing and business models that for several decades had been mainly monopolised by the gatekeepers of the European public film subsidies. At the same time, the public funds, created as a bastion for protecting European cinema against Hollywood domination, have been confronted with new powerful competitors from the US.

M3 - Book chapter

SN - 978-3-031-42181-5

SP - 63

EP - 81

BT - European Film in the Streaming Era

A2 - Meir, Christopher

A2 - Smits, Roderik

PB - Palgrave Macmillan

ER -

ID: 346197182