How children and young audiences think of quality and relevance in fictional content across different platforms
Research output: Contribution to conference › Conference abstract for conference › Communication
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How children and young audiences think of quality and relevance in fictional content across different platforms. / Mitric, Petar.
2021. Abstract from SCMS Annual Conference , United States.Research output: Contribution to conference › Conference abstract for conference › Communication
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TY - ABST
T1 - How children and young audiences think of quality and relevance in fictional content across different platforms
AU - Mitric, Petar
PY - 2021/3/20
Y1 - 2021/3/20
N2 - This paper presents an inquiry into Danish children’s and adolescents’ mediahabits and preferences when it comes to fictional screen content, with a specificfocus on the role of Danish content and platforms. The inquiry reveals a strongpreference for and large consumption of content originating from the US on globalstreaming platforms, and, when it comes to specific fictional screen content, Danishchildren clearly favour American films and series over those from Denmark orelsewhere. When asked to rate specific films and series, they favour genre-driventitles over titles with “higher” artistic or cultural value. The chapter shows that onthe global streaming platforms, Danish children and adolescents find an abundanceof what to them is high-quality content, perceived as more relevant to them thandomestically produced content. A concluding discussion points out the potentialimplications of the findings for existing curatorial practices in domestic publicservice broadcasters, both in general as well as in terms of national funding models.
AB - This paper presents an inquiry into Danish children’s and adolescents’ mediahabits and preferences when it comes to fictional screen content, with a specificfocus on the role of Danish content and platforms. The inquiry reveals a strongpreference for and large consumption of content originating from the US on globalstreaming platforms, and, when it comes to specific fictional screen content, Danishchildren clearly favour American films and series over those from Denmark orelsewhere. When asked to rate specific films and series, they favour genre-driventitles over titles with “higher” artistic or cultural value. The chapter shows that onthe global streaming platforms, Danish children and adolescents find an abundanceof what to them is high-quality content, perceived as more relevant to them thandomestically produced content. A concluding discussion points out the potentialimplications of the findings for existing curatorial practices in domestic publicservice broadcasters, both in general as well as in terms of national funding models.
M3 - Conference abstract for conference
T2 - SCMS Annual Conference
Y2 - 17 March 2021 through 21 March 2021
ER -
ID: 346369197