Reaching Young Audiences: Serial Fiction and Cross-Media Storyworlds for Children and Young Audiences (RYA)

The media use of Danish children and young people has changed dramatically in the past few years. Fictional content and ‘media snacks’ on Netflix and YouTube are now a major part of their media diet while their encounters with national film, TV and online fiction are declining.

Børn og medier
Illustration by Clara Lucie Jetsmark

In close collaboration with international scholars and national industry partners this research project combines production and audience analysis when studying the current production and reception of film, TV and online fiction for children and young audiences.

 

 

 

Publications by the RYA core research team

Redvall, Eva Novrup and Katrine Bouschinger Christensen (2021) ‘Co-creating content with children to avoid “Uncle Swag”: Strategies for producing public service television drama for tweens and teens at the Danish children’s channel DR Ultra.’ Critical Studies in Television, 16 (2), pp. 163-180. 

Christensen, Katrine Bouschinger and Eva N. Redvall (2019) ‘Producing public service serial drama for children and young audiences: Towards a new future for the Danish Broadcasting Corporation’s tween channel DR Ultra.’ CSTonline, 13 December 2020. 

Christensen, Katrine Bouschinger (2020) ‘COVID-19 from a teenage web series perspective.’ CSTonline, 12 June 2020. 

Christensen, Christa Lykke (2020) ‘Danish children’s content for 1-3-year olds and the importance of national platforms like the Danish Broadcasting Corporation DR.’ CSTonline, 16 October 2020. 

Mitric, Petar and Pia Majbritt Jensen (2020) ‘How do children watch fiction in Denmark and what content do they prefer?’ CSTonline, 25 September 2020. 

Redvall, Eva Novrup (2021) ‘Writing for Television, Netflix or Children? New Screenwriting Training Grounds for Serial Drama and Cross-Media Content in Denmark in the 2020s.’ CSTonline, 19 March 2021. 

Redvall, Eva Novrup (2020) ‘The Danish serial Oda Omvendt (‘Oda Upside Down’) is making rebellious live action children’s fiction for 3-6-year-olds travel beyond the Nordics.’ CSTonline, 20 November 2020. 

Redvall, Eva Novrup (2020) ’Scandinavian Slow TV is moving strongly into the 2020s – and is now also for children.’ CSTonline, 14 February 2020. 

Redvall, Eva Novrup (2020). ‘Family binge-watching in times of Corona.’ CSTonline, 17 April 2020. 

Redvall, Eva Novrup and Katrine Bouschinger Christensen (2020). ‘Tema: Børn og unge.’ Special issue of the member magazine Replikker (#32) published by The Danish Writers Guild, fall 2020. 

Redvall, Eva Novrup and Katrine Bouschinger Christensen (Forthcoming 2021) ‘Co-creating content with children to avoid “Uncle Swag”: Strategies for producing public service television drama for tweens and teens at the Danish children’s channel DR Ultra.’ Critical Studies in Television.

Redvall, Eva Novrup and Katrine Bouschinger Christensen (Forthcoming 2021) Special issue of the Journal of Screenwriting on writing for children and young audiences.

RYA blogs for CSTonline by collaborating scholars

Agger, Gunhild (2020) ‘The Magic of the Danish Christmas Calendar.’ CSTonline, 18 December 2020. 

Lundtofte, Thomas Enemark (2021) ’It’s not a penis, it’s a dillermand.’ CSTonline, 12 February 2020. 

 

 

 

Danish core team

Name Title Phone E-mail
Christa Lykke Christensen Associate Professor +4535328116 E-mail
Eva Novrup Redvall Associate Professor +4535329437 E-mail
Katrine Bouschinger Christensen PhD Fellow +4535326368 E-mail
Petar Mitric Assistant Professor - Tenure Track +4535322489 E-mail

Collaborating scholars

Industry partners

  • The Danish Broadcasting Corporation (DR)

  • TV 2 Danmark, Head of fiction Katrine Vogelsang

  • The National Film School of Denmark

  • Nordisk Film & TV Fond

  • Nordvision, General Secretary Henrik Hartmann

  • BUSTER, Head of programming, Mariella Harpelunde Jensen