Incarnation and "Déchirure"; Annunciation and Crucifixion

Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research › peer-review

Standard

Incarnation and "Déchirure"; Annunciation and Crucifixion. / Rösing, Lilian Munk.

Phenomenology, New Materialism, and Advances In the Pulsatile Imaginary: Rites of Disimagination. ed. / Nicoletta Isar. Palgrave Macmillan : Palgrave Macmillan, Cham, 2024. p. 145-159.

Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research › peer-review

Harvard

Rösing, LM 2024, Incarnation and "Déchirure"; Annunciation and Crucifixion. in N Isar (ed.), Phenomenology, New Materialism, and Advances In the Pulsatile Imaginary: Rites of Disimagination. Palgrave Macmillan, Cham, Palgrave Macmillan, pp. 145-159. https://doi.org/10.1007/978-3-031-49945-6_7

APA

Rösing, L. M. (2024). Incarnation and "Déchirure"; Annunciation and Crucifixion. In N. Isar (Ed.), Phenomenology, New Materialism, and Advances In the Pulsatile Imaginary: Rites of Disimagination (pp. 145-159). Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-031-49945-6_7

Vancouver

Rösing LM. Incarnation and "Déchirure"; Annunciation and Crucifixion. In Isar N, editor, Phenomenology, New Materialism, and Advances In the Pulsatile Imaginary: Rites of Disimagination. Palgrave Macmillan: Palgrave Macmillan, Cham. 2024. p. 145-159 https://doi.org/10.1007/978-3-031-49945-6_7

Author

Rösing, Lilian Munk. / Incarnation and "Déchirure"; Annunciation and Crucifixion. Phenomenology, New Materialism, and Advances In the Pulsatile Imaginary: Rites of Disimagination. editor / Nicoletta Isar. Palgrave Macmillan : Palgrave Macmillan, Cham, 2024. pp. 145-159

Bibtex

@inbook{00ad13ba32604528b77f77d1110676f8,
title = "Incarnation and {"}D{\'e}chirure{"}; Annunciation and Crucifixion",
abstract = "This article proposes a typology of paintings in Western art based on the themes of the annunciation and the crucifixion and inspired by the way that Georges Didi-Huberman reflects upon these themes in Devant l{\textquoteright}image, linking them to the concepts of incarnation, pan, and d{\'e}chirure (“tear”). Departing from the term of “incarnation” as Didi-Huberman{\textquoteright}s alternative to “representation”, the article distinguishes between paintings of the annunciation type, exploring the preconditions for something to appear, and the crucifixion type, letting the body and its fluids make their imprint on the canvas. The article gives examples of paintings from modern Danish art (Anna Ancher, Vilhelm Hammersh{\o}i, Theodor Phillipsen) that do not represent the crucifixion or the annunciation but could still be said to be of either the annunciation of the crucifixion type.",
keywords = "Faculty of Humanities, Incarnation, Annunciation, Didi-Huberman, Georges, Ancher, Anna, Hammersh{\o}i, Vilhelm, Philipsen, Theodor, Crucifixion, Pan",
author = "R{\"o}sing, {Lilian Munk}",
year = "2024",
doi = "10.1007/978-3-031-49945-6_7",
language = "English",
isbn = "9783031499449",
pages = "145--159",
editor = "Nicoletta Isar",
booktitle = "Phenomenology, New Materialism, and Advances In the Pulsatile Imaginary",
publisher = "Palgrave Macmillan, Cham",

}

RIS

TY - CHAP

T1 - Incarnation and "Déchirure"; Annunciation and Crucifixion

AU - Rösing, Lilian Munk

PY - 2024

Y1 - 2024

N2 - This article proposes a typology of paintings in Western art based on the themes of the annunciation and the crucifixion and inspired by the way that Georges Didi-Huberman reflects upon these themes in Devant l’image, linking them to the concepts of incarnation, pan, and déchirure (“tear”). Departing from the term of “incarnation” as Didi-Huberman’s alternative to “representation”, the article distinguishes between paintings of the annunciation type, exploring the preconditions for something to appear, and the crucifixion type, letting the body and its fluids make their imprint on the canvas. The article gives examples of paintings from modern Danish art (Anna Ancher, Vilhelm Hammershøi, Theodor Phillipsen) that do not represent the crucifixion or the annunciation but could still be said to be of either the annunciation of the crucifixion type.

AB - This article proposes a typology of paintings in Western art based on the themes of the annunciation and the crucifixion and inspired by the way that Georges Didi-Huberman reflects upon these themes in Devant l’image, linking them to the concepts of incarnation, pan, and déchirure (“tear”). Departing from the term of “incarnation” as Didi-Huberman’s alternative to “representation”, the article distinguishes between paintings of the annunciation type, exploring the preconditions for something to appear, and the crucifixion type, letting the body and its fluids make their imprint on the canvas. The article gives examples of paintings from modern Danish art (Anna Ancher, Vilhelm Hammershøi, Theodor Phillipsen) that do not represent the crucifixion or the annunciation but could still be said to be of either the annunciation of the crucifixion type.

KW - Faculty of Humanities

KW - Incarnation

KW - Annunciation

KW - Didi-Huberman, Georges

KW - Ancher, Anna

KW - Hammershøi, Vilhelm

KW - Philipsen, Theodor

KW - Crucifixion

KW - Pan

U2 - 10.1007/978-3-031-49945-6_7

DO - 10.1007/978-3-031-49945-6_7

M3 - Book chapter

SN - 9783031499449

SP - 145

EP - 159

BT - Phenomenology, New Materialism, and Advances In the Pulsatile Imaginary

A2 - Isar, Nicoletta

PB - Palgrave Macmillan, Cham

CY - Palgrave Macmillan

ER -

ID: 393776440