Icons and metaphors in visual communication: The relevance of Peirce's theory of iconicity for the analysis of visual communication
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Icons and metaphors in visual communication : The relevance of Peirce's theory of iconicity for the analysis of visual communication. / Thellefsen, Martin; Friedman, Alon.
In: Public Journal of Semiotics, Vol. 10, No. 2, 2023, p. 1-15.Research output: Contribution to journal › Journal article › Research › peer-review
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TY - JOUR
T1 - Icons and metaphors in visual communication
T2 - The relevance of Peirce's theory of iconicity for the analysis of visual communication
AU - Thellefsen, Martin
AU - Friedman, Alon
N1 - Publisher Copyright: © 2023 BOLEMA Departamento de Matematica. All rights reserved.
PY - 2023
Y1 - 2023
N2 - In this paper we adopt Charles Sanders Peirce's concept of iconicity to analyse pictural communication. While visual semiotics has a well-developed structural school, the concepts of visual semiotics stemming from Peirce's pragmatic sign theory are often overlooked. The specific purpose of this study is to explore the semiotics of visual signs, exemplified by two prominent pictures of former US President Donald Trump. We argue that Peirce's semiotic framework for iconicity in visual signs (the image, the diagram, and the metaphor) offers a useful framework for discussing how the meaning of visual signs is motivated. On this basis, we propose that Peirce's concept of hypoicons provides us with a richer understanding of how visual signs acquire meaning and how their interpretation varies across cultural habits, and collateral experience.
AB - In this paper we adopt Charles Sanders Peirce's concept of iconicity to analyse pictural communication. While visual semiotics has a well-developed structural school, the concepts of visual semiotics stemming from Peirce's pragmatic sign theory are often overlooked. The specific purpose of this study is to explore the semiotics of visual signs, exemplified by two prominent pictures of former US President Donald Trump. We argue that Peirce's semiotic framework for iconicity in visual signs (the image, the diagram, and the metaphor) offers a useful framework for discussing how the meaning of visual signs is motivated. On this basis, we propose that Peirce's concept of hypoicons provides us with a richer understanding of how visual signs acquire meaning and how their interpretation varies across cultural habits, and collateral experience.
KW - collateral experience
KW - diagram
KW - epistemic pluralism
KW - Hypoicons
KW - image
KW - metaphor
UR - http://www.scopus.com/inward/record.url?scp=85163332325&partnerID=8YFLogxK
U2 - 10.37693/pjos.2023.10.24762
DO - 10.37693/pjos.2023.10.24762
M3 - Journal article
AN - SCOPUS:85163332325
VL - 10
SP - 1
EP - 15
JO - Public Journal of Semiotics
JF - Public Journal of Semiotics
SN - 1918-9907
IS - 2
ER -
ID: 360687350