Syn for sagn: Tre fotografiske dokumentationsprojekter, 1895-1927

Research output: Contribution to journalJournal articleResearchpeer-review

Standard

Syn for sagn : Tre fotografiske dokumentationsprojekter, 1895-1927. / Nyvang, Caroline.

In: Tidsskrift for Kulturforskning, Vol. 12, No. 1, 2013, p. 5-22.

Research output: Contribution to journalJournal articleResearchpeer-review

Harvard

Nyvang, C 2013, 'Syn for sagn: Tre fotografiske dokumentationsprojekter, 1895-1927', Tidsskrift for Kulturforskning, vol. 12, no. 1, pp. 5-22.

APA

Nyvang, C. (2013). Syn for sagn: Tre fotografiske dokumentationsprojekter, 1895-1927. Tidsskrift for Kulturforskning, 12(1), 5-22.

Vancouver

Nyvang C. Syn for sagn: Tre fotografiske dokumentationsprojekter, 1895-1927. Tidsskrift for Kulturforskning. 2013;12(1):5-22.

Author

Nyvang, Caroline. / Syn for sagn : Tre fotografiske dokumentationsprojekter, 1895-1927. In: Tidsskrift for Kulturforskning. 2013 ; Vol. 12, No. 1. pp. 5-22.

Bibtex

@article{f33836d447eb4182a793e5d29d0eb723,
title = "Syn for sagn: Tre fotografiske dokumentationsprojekter, 1895-1927",
abstract = "Picturing the Past – Three Photographical Projects, 1895—1927This article analyses the use of photography in Danish folkloristic documentation of immaterial culture. In particular, it focuses on the work of Axel Olrik (1864-1917), the first president of the Danish Folklore Archives and a representative of the early folkloristic movement, and his engagement in three different photographical projects during the years 1895—1927. Through a study of the actual pictures as well as readings of Olrik{\textquoteright}s personal letters, applications for funding, and academic writings, two main arguments for the use of photography are identified: one line of argumentation pertains to the potential of photography as a conservatory technology; another series of reasons promotes photographs as a particularly well-suited medium for conveying the past in a holistic way. Furthermore, the article shows how these arguments hinge on a coalescence of time and space, comparable to that of concurrent ethnographic photography.",
keywords = "Det Humanistiske Fakultet, Fotografihistorie, Folkloristik, Folkeminder, Visuel antropologi",
author = "Caroline Nyvang",
year = "2013",
language = "Dansk",
volume = "12",
pages = "5--22",
journal = "Tidsskrift for Kulturforskning",
issn = "1502-7473",
publisher = "Novus forlag",
number = "1",

}

RIS

TY - JOUR

T1 - Syn for sagn

T2 - Tre fotografiske dokumentationsprojekter, 1895-1927

AU - Nyvang, Caroline

PY - 2013

Y1 - 2013

N2 - Picturing the Past – Three Photographical Projects, 1895—1927This article analyses the use of photography in Danish folkloristic documentation of immaterial culture. In particular, it focuses on the work of Axel Olrik (1864-1917), the first president of the Danish Folklore Archives and a representative of the early folkloristic movement, and his engagement in three different photographical projects during the years 1895—1927. Through a study of the actual pictures as well as readings of Olrik’s personal letters, applications for funding, and academic writings, two main arguments for the use of photography are identified: one line of argumentation pertains to the potential of photography as a conservatory technology; another series of reasons promotes photographs as a particularly well-suited medium for conveying the past in a holistic way. Furthermore, the article shows how these arguments hinge on a coalescence of time and space, comparable to that of concurrent ethnographic photography.

AB - Picturing the Past – Three Photographical Projects, 1895—1927This article analyses the use of photography in Danish folkloristic documentation of immaterial culture. In particular, it focuses on the work of Axel Olrik (1864-1917), the first president of the Danish Folklore Archives and a representative of the early folkloristic movement, and his engagement in three different photographical projects during the years 1895—1927. Through a study of the actual pictures as well as readings of Olrik’s personal letters, applications for funding, and academic writings, two main arguments for the use of photography are identified: one line of argumentation pertains to the potential of photography as a conservatory technology; another series of reasons promotes photographs as a particularly well-suited medium for conveying the past in a holistic way. Furthermore, the article shows how these arguments hinge on a coalescence of time and space, comparable to that of concurrent ethnographic photography.

KW - Det Humanistiske Fakultet

KW - Fotografihistorie

KW - Folkloristik

KW - Folkeminder

KW - Visuel antropologi

M3 - Tidsskriftartikel

VL - 12

SP - 5

EP - 22

JO - Tidsskrift for Kulturforskning

JF - Tidsskrift for Kulturforskning

SN - 1502-7473

IS - 1

ER -

ID: 49470709