Anne Jerslev
Professor
Department of Communication
Karen Blixens Plads 8
2300 København S
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"The Owls are not what they seem" - David Lynchs billedværk
Jerslev, Anne, 1992, Stil på Strimler. København: Amanda, p. 127-141Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research
- Published
Donna og Madonna. Stjernen der sætter sig selv i scene som iscenesættelse
Jerslev, Anne, 1992, In: Nyt Forum for Kvindeforskning. 3, 1992, p. 36-48Research output: Contribution to journal › Journal article › Research
- Published
Semiotics by instinct: "Cult film" as a signifying practice between audience and film
Jerslev, Anne, 1992, Media Cultures. Reappraising transnational media. London & New York: Routledge, p. 181-199Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research
- Published
Virkeligheden og billederne - spor i det 20. århundredes diskussion om de faste og levende billeder
Jerslev, Anne, 1992, Kultur og idehistorie - en essaysamling til BDI-uddannelsen, Bind 2. Danmarks Bibliotekskole: Danmarks Bibliotekskole, p. 137-155Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research
- Published
Wild at heart - a postmodern melodrama
Jerslev, Anne, 1992, Postmodernism and the Visual Media. Sekvens, Filmvidenskabelig årbog, 1992. København: Inst. for Film- og Medievidenskab, p. 87-109Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research
ID: 7369
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What is the Self in the Celebrity Selfie? Celebrification, Phatic Communication and Performativity
Research output: Contribution to journal › Journal article › Research › peer-review
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6160
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In The Time of the Microcelebrity: Celebrification and the YouTuber Zoella
Research output: Contribution to journal › Journal article › Research › peer-review
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2450
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Taking the Extra out of the Extraordinary: Paparazzi photography as an online celebrity news genre
Research output: Contribution to journal › Journal article › Research › peer-review
Published