Grand Illusions and the Great War: World War I Narratives

Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research › peer-review

Standard

Grand Illusions and the Great War : World War I Narratives. / Bondebjerg, Ib.

Palgrave European Film and Media Studies. Springer Science and Business Media B.V., 2020. p. 137-164 (Palgrave European Film and Media Studies).

Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research › peer-review

Harvard

Bondebjerg, I 2020, Grand Illusions and the Great War: World War I Narratives. in Palgrave European Film and Media Studies. Springer Science and Business Media B.V., Palgrave European Film and Media Studies, pp. 137-164. https://doi.org/10.1007/978-3-030-60496-7_6

APA

Bondebjerg, I. (2020). Grand Illusions and the Great War: World War I Narratives. In Palgrave European Film and Media Studies (pp. 137-164). Springer Science and Business Media B.V.. Palgrave European Film and Media Studies https://doi.org/10.1007/978-3-030-60496-7_6

Vancouver

Bondebjerg I. Grand Illusions and the Great War: World War I Narratives. In Palgrave European Film and Media Studies. Springer Science and Business Media B.V. 2020. p. 137-164. (Palgrave European Film and Media Studies). https://doi.org/10.1007/978-3-030-60496-7_6

Author

Bondebjerg, Ib. / Grand Illusions and the Great War : World War I Narratives. Palgrave European Film and Media Studies. Springer Science and Business Media B.V., 2020. pp. 137-164 (Palgrave European Film and Media Studies).

Bibtex

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title = "Grand Illusions and the Great War: World War I Narratives",
abstract = "This chapter is about war drama and period drama focusing on the period 1900–1918, a time of great expectations that would turn out to be illusions. The chapter analyzes and compares period dramas, often family narratives, with a broader time perspective, and documentary and fictional war dramas seen from the perspective of soldiers at the front, their families on the home front or the political, strategic game behind the war. The two main examples analyzed are the German docudrama Tageb{\"u}cher des Ersten Weltkrieges/Great War Diaries (2014), based on letters and diaries and mixing factual documentary elements with dramatized individual stories, and the British fictional period drama Parade{\textquoteright}s End (2013), where war and modernity meets tradition and heritage.",
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RIS

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N2 - This chapter is about war drama and period drama focusing on the period 1900–1918, a time of great expectations that would turn out to be illusions. The chapter analyzes and compares period dramas, often family narratives, with a broader time perspective, and documentary and fictional war dramas seen from the perspective of soldiers at the front, their families on the home front or the political, strategic game behind the war. The two main examples analyzed are the German docudrama Tagebücher des Ersten Weltkrieges/Great War Diaries (2014), based on letters and diaries and mixing factual documentary elements with dramatized individual stories, and the British fictional period drama Parade’s End (2013), where war and modernity meets tradition and heritage.

AB - This chapter is about war drama and period drama focusing on the period 1900–1918, a time of great expectations that would turn out to be illusions. The chapter analyzes and compares period dramas, often family narratives, with a broader time perspective, and documentary and fictional war dramas seen from the perspective of soldiers at the front, their families on the home front or the political, strategic game behind the war. The two main examples analyzed are the German docudrama Tagebücher des Ersten Weltkrieges/Great War Diaries (2014), based on letters and diaries and mixing factual documentary elements with dramatized individual stories, and the British fictional period drama Parade’s End (2013), where war and modernity meets tradition and heritage.

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